What do you get when you cross a Christian Brother, with Mexican masked wrestling, a Skinny Sidekick, and a nun which this brother is attracted to?
You get the life of Nacho. He dreams of becoming a pro luchador, for the fame and glory the title possesses. He also wants to help the orphans too, and of course impress the Sister Encarnación. Unfortunately, going pro is a bit harder than anticipated, and believe it or not, the church looks down upon the violent sport.
Will Nacho succeed in his quest for fame and food for orphans? Only through his stretchy pants and the Lucha mask will we find out.
Things I Liked
Nacho has a heart to serve the orphans which live at his parish. While a bit of what he does is for the glory, it is clear throughout the film his heart lies in making it possible for the orphans to live a better life.
What is a hero without a sidekick? For Nacho, not much. Esqueleto is that sidekick. He is loyal as a dog, and honestly, portrayed not to be much smarter than one. When everyone abandons Nacho in his quest, his friend sticks with him and provides words which encourage Nacho to continue on and persevere.
Things I Didn’t Like
One of the foremost things I did not like was Nacho does things which are wrong, to help “the greater good”. That good being the orphans. He lies, steals, cheats, and breaks his oath in fighting in the wrestling matches. He isn’t a hero we should admire. He pride himself in gags and passing gas. He is rude with food and possesses poor manners, if any at all. Immature, boisterous, rebellious, and crude. Nacho is all of these things.
Then comes in Sister Encarnación, and things get, quite frankly, grossly sticky in terms of innuendo and tension. Nacho is infatuated with the nun, and asks her personal questions which are grossly uncomfortable. He displays his body in front of her, especially his gluteus maximus, and talks about breaking their solemn vows to run away and start a family. In addition to that, at a party an aggressive woman chases Esqueleto in order to love him. We see him being dragged across the floor to her.
The violence in this film dips to the grade school level. Crotch shots, hair pulling, biting, and other forms of slapstick beat up Nacho and his sidekick quite soundly. Early in the film, we see two men tussle in the dirt like school boys over some chips. A man is smacked on the head with a cello… Overall the violence can be described as a crudely twisted humour which is meant to be funny, but winds up just losing the match. This movie is gross- and that grossness is meant to be funny? Nacho eats a raw eagle egg. Or at least tries. He snorts food out of his nose, he accentuates the fact he is overweight, and more.
The dirty language in this flick includes a lot of implied cursing, but it is never actually spoke. A man is called a douche, boyish insults fly constantly, and trash talk is exchanged in the ring.
With any Jack Black movie you can pretty much expect the following: Crass slapstick humour, a bumbling hero, and a weak message.
Indeed, we find all of these in this movie too. I watched this at the recommendations of some adult friends, who guaranteed me it was “Hilarious”. Expecting something different than what I had watched earlier (School of Rock), and knowing the rich culture behind Mexican Free Fighting, I thought this would be more mature, more refined.
I was wrong.
Nacho Libre is a crude comedy which dabbles in just enough innuendo to remain “harmless”, yet imply exactly what is meant to be conveyed. Ridiculous half naked fat stunt men slam, smack, and bite each other in clearly fake wrestling matches, meant to be funny I assume… And the “hero” is given justification for stealing and breaking his oath for the “greater good”.
The little light in the move is, as I have mentioned, the care about the orphans. But that light is dim compared to the rest of the film.
So what’s the point of the movie? I’m not sure really, but I’m calling this one pinned. Pinned by the depths of gross humor, the crude sexual jargon, and immature violence. Don’t waste your Libre (freedom) on this film, or at least, know that is is not funny as the fans make it out to be.